if it is true that you rang, it did not come thru, and it would elate me if you would try again (I dont have your digits) else I might beat you to the thang..........
Mad love, and I am taking my first directed course in writing outside of the minimalist required courses... its kinda kool too, it is a communications course 'South End Workshop' taught by Jack Lessenberry (of the Metro Times, political op ed amongst some things...)
This is fantastic. Easily the best work you've posted here. The opening scene is flawless; setting, dialogue, and imagery interwoven seamlessly. The section on the office packs complex and convoluted character relationships into a managable and highly entertaining brief. The desert scene is the most realistic twist into the surreal that you've yet managed. And all of it hits home with a stronger thesis than most short stories I've read.
Much of your writing has this same attitude; wit and intensity juxtaposed in unlikely compliment. Its the reason I love to read the things you write. But this is the first time that attitude has been stretched to a work of such length without going diffuse. It was focused and on target.
Frankly, Gibson's are the only stories I've read in the past year that read that well.
5 comments:
id like to read it, if it is open to the public, and did you ever call me?????????/
I did call you!
Click me
If you can't open 'dat, I can send you a .doc file. Thanks!
if it is true that you rang, it did not come thru, and it would elate me if you would try again (I dont have your digits) else I might beat you to the thang..........
Mad love, and I am taking my first directed course in writing outside of the minimalist required courses... its kinda kool too, it is a communications course 'South End Workshop' taught by Jack Lessenberry (of the Metro Times, political op ed amongst some things...)
This is fantastic. Easily the best work you've posted here. The opening scene is flawless; setting, dialogue, and imagery interwoven seamlessly. The section on the office packs complex and convoluted character relationships into a managable and highly entertaining brief. The desert scene is the most realistic twist into the surreal that you've yet managed. And all of it hits home with a stronger thesis than most short stories I've read.
Much of your writing has this same attitude; wit and intensity juxtaposed in unlikely compliment. Its the reason I love to read the things you write. But this is the first time that attitude has been stretched to a work of such length without going diffuse. It was focused and on target.
Frankly, Gibson's are the only stories I've read in the past year that read that well.
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