Wednesday, November 21, 2007

Aphasia, Apophenia, Alacrity


My secretary seriously referred to me as a "growing boy" in reference to the sprawling Thanksgiving dinner that my brother is preparing. Indicating that I can and should be eating multiple servings like a teenager. This was the first thing that has offended me in a long time . . not this presumption that I'm young and healthy and can eat recklessly. This declaration that I am not an adult. My counter is that I'm more of an adult than many twice my age: I know what I want. I'm willing to make sacrifices. I haven't fallen for the social chicanery of television/children/religion/consumption. I'm not afraid to be injured or inconvenienced. I have overcome some palpable shit in my day. I am well-educated. I'm master of my domain. In what ways, exactly, am I not an adult? Hell, I'm the aforementioned secretary's BOSS. Because I haven't had children yet doesn't make me immature, it makes me rational . . .the best reaction is no reaction I suppose . . .

When in the midst of writing or pacing through the increasingly ritualized process of preparing to write, this odd thing happens. I start to form sentences and connections in my head that I would never make otherwise. There is suddenly something poetic about how I fill my water bottle, some metaphor in the way the wooden stairs creak underneath me, the cold night air a reminder of my soft humanity, every instant dredging up some long-forgotten image or sensation. The scratchy resonance of Burial like edgy dawns I never slept for. The ache in my bones from self-destruction now existential, because pain is the proof. The filth of my chamber evidence of some grander futility. And then this natural transition into writing in this mode. The contrivance and fabrication suddenly more honest because it reflects this system of pattern recognition that is firing on all cylinders. God it's a beautiful feeling.

In 40-some days I will be in Africa. Starting in a city dubbed Nairobbery by tourists. A place famed in the western world for pickpockets, violent carjackings, and the drug trade. Reminds me of home. After that I'm climbing Mt. Kilimanjaro with a hand-picked team; starting in equatorial serengeti, tromping through muddy rainforest, hiking parched through alpine desert, and then watching the sunrise at 19,000ft and -20 degrees. Afterwards champagne and local beer in exotic bars and laughing about how nothing and yet everything I've ever done in my life has predicted this. And then a trip out to the birthplace of civilization to see if I can't find some long-dead grandfather's initials carved in an extinct animal's femur. Somehow I think seeing this place will put a great many things in perspective. I'm losing sleep as I think about all the tendrils this trip has telescoping and writhing out from it. I can barely fucking wait, counting individual days like I haven't maybe ever. On top of all that, I miss you.
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Tuesday, November 20, 2007

Black Friday

Sometimes I'm convinced that the whole planet has gone retarded. Case in point, following Thanksgiving most of the country (except those in retail) have the day off to recuperate from tryptophan overdose, sleep in, spend time with their families, etc etc. For a day just enjoy family and humanity and being. Maybe even go on a little trip with people that you really care about and take some photographs and admire the way the face of the earth changes with the seasons.
But instead we go shopping. American-style Conspicuous consumerism is not a long-standing tradition; it became a part of our culture following WW2 as a way to maintain a sprawling industrial economy that the war effort had required, and was perpetuated by the application of Freudian psychological theory to advertising. So, even amidst record consumer debt
millions that can't really afford it (except via credit cards) will go out and spend billions of dollars on overpriced shit. The bulk of of profits going not to manufacturers but the warehouse/stores that lord over the gimmicky merchandise. I'm not anticapitalist, the market must be free for us to have even a semblance of freedom. I am antistupidity. I'm anti- being herded by corporate-owned media and cattle-prodded with illusory "sales" to think that I absolutely MUST do anything other than eat, drink, breathe, read, sleep, fuck and be intoxicated. Shopping malls and suburban big-box franchises are a trick! You do not need this stuff and the fact that so many people think they do is exactly what They want. This is not conspiracy, this is why advertisement exists.

So seriously. Thanksgiving, fuck shopping. Give thanks. You're still alive. People care about you. Life is tragic and beautiful. There is food to eat. You are capable of forming and managing your own thoughts and motivations. At night there are so many stars that the mind reels. Joe Rogan once said that if we all lived underground and there was only one place you could see stars, EVERYONE would make the pilgrimage. Make love to someone like it is the first and last time. Speak slowly and seriously, when appropriate. Tell bawdy jokes when appropriate. Toast to "all your friends", "to Truth and Beauty", "to the End", "to the laws of physics", "to artistic ecstasy".

Alright. Keep it real
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Monday, November 19, 2007

Everything. Now.

This, a weird week. Barely writing, but revising 30-some pages that will hit this thing soon. Both stressed and confused and certain and at ease. Here finally. As in existing. An acquaintance of mine has proposed something that would radically change my life. He wants to open a swanky training facility, has the money to do it, and wants me to work for him. I could be putting high-powered executives, state senators and athletes through the wringer for a living. Or we could fail miserably. And as enticing as it sounds, I've got other things in my sights. We'll see. Physical exertion has become my church, my hour of transcendence that puts the shadowy rest-of-the-day in the right light.

I've now got a cadre here in Boise. These things take time. Barely remembered names now inviting me for breakfasts and nights out. They know how to party, and they're all good people. I suppose I should have known I would find this. I could always drink and talk and stay out late and get up early and I think I have a way of looking at people that makes them want to know me . . .

I had a dream about the girl last night, wherein there was a stifled reunion with suggestions in the way we rolled our eyes in synch. Kicking our feet in a dusty back parking lot amidst crows and crude assemblages of foreign cars, the sky marbelized above. When I woke up my computer had inexplicably sprung to life with an e-mail from her, and a text message that she too had been dreaming of me.

Our entire experience is fragmented as we attempt to apply consistency to our work and learning and fun and downtime and solitude, because we are one homogeneous person (or are we?). So who are we trying to deceive by making this all flow . . .the brain more like a swirling swarm of starlings than the stilted speaking we all stutter through.
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Friday, November 09, 2007

Just Jumping


The above picture is of a member of the Masai tribe jumping in exultation near Olduvai Gorge, The birthplace of civilization. I want to jump with him. Somehow this communicates to something quite deep within me. In the midst of a celebration or thumping bass in dirty, dark bars or in the face of high-gravity, biographical news I have simply jumped up in the air. As high as I can, many times in a row. Feeling an epiphany giving birth to a wordless yell in my throat. I don't have any reason to think his jump is for anything truly different.

As a writer it's tempting to think or at least pretend that our entire experience can be expressed in words. Even knowing this not to be true, the writerly urge is to try and do it anyway. And so we end up with these massive sprawling works like Infinite Jest and Midnight's Children, beautiful and tragic and sad and grandly encompassing. But not quite everything. Music gets at something as well, something literature cannot touch. The visual arts. Film. All of them overlapping components of a Venn diagram that is our experience and yet can never really contain or transmit it.

I think the great pain of being alive is that our experience is individual. We so dearly want to share these things inside our heads and hearts with people around us and we love those that we feel we can come close to accomplishing this with. And yet we are alone. I will never be able to truly explain what it feels like to wake up next to her, to walk my neighborhood alone late at night, to stand atop a hill and look out over the landscape but really see the sprawling details of my life out there on the horizon and the shadows of buildings.

But I can jump. And it's still not everything. But at least you'll know that I'm alive, despite all this.
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Thursday, November 08, 2007

Go to Trade School, You're Fucking Everything Up

Academia is simultaneously stimulating and stifling. Like a beautiful young thing rubbing against you, and then suddenly realizing some impropriety. Much of this may be attributable to the second- or third-tier nature of my institution. Last night we were discussing elements of post-modernity and analyzing Beckett's 'Ping'.
First, 'Ping':
The majority of the class declared frustration bordering on ridicule because this piece has no overt "meaning". A student even asking if Beckett had ever declared the definitive meaning of the work in an interview. I can understand someone not enjoying the piece, or having a difficult time understanding the purpose or subtext to it (I admit I don't fully understand it, that's not the point). However, as a humanities student, and reading this as a part of a lecture that emphasized the notion that "postmodern literature is often not laden with 'meaning' in the way that art that came before". There is no Truth, and no pretension that we can find it". People got mad at it because it didn't do what it expected. For that, Bravo Beckett. What was most interesting about this, from a pedagogical perspective, is that this is the first time the class has become conceptually difficult. This is the first time we're delving into genuine philosophy and everyone is reeling. These people, for the most part, hate to actually have to think. Just give them the answers so they can write their essays in peace.

This leads into the much more interesting occurrence, the one where I really learned something. In discussing the cultural context that we live in now, and which houses and engenders our art we naturally came to the subject of technology and how the dynamism of communication technology in particular affects us. EVERYone nodded along to the assumption that being connected via cellphone and internet is a traumatically negative and alienating experience. That having a cellphone, and listening to an ipod and spending time on the internet somehow degrades our humanity.

At first, it seems like "yes" of course these things separate us and compartmentalize society into a bunch of apathetic individuals. The problem is that it's not wholly true. First of all, all of these people agreeing that somehow society has degraded due to communication technology are not old enough to understand a time when it wasn't around. We're talking about 20-26 year olds. Their entire adulthood occurred in the time of the internet. They're nostalgic for a time they never experienced firsthand and likely never existed. The anecdotal claim that before cellphones people nodded to each other on the street is nonsense, and we don't have anyway to know that this is true. The only place I've been to where people said hello to me on the street was in the 'hood. This is not what you'd expect. Also, belabored was the boogeyman that 'so many' people simply sit at their homes on the internet and don't participate in the real world. Two problems with this: Give me an example (I don't think this figure really exists), and do you really think your immersion in the internet has crippled your ability to communicate with other humans? If anything it makes us better at it. Makes us value the warmth of humanity even more.

A woman said that she thinks people with ipods plugged in all the time as they walk around campus are missing 'things'. I asked her to define "things", which she found impossible. I also asked how experiencing a piece of art during what is essentially a cookie-cutter day (the five minute walk to class is always virtually identical, except for the jams rocking in my earphones) devalues my experience.

Technology, computers, the internet. These are some of the most valuable things in my life. This post is an elucidation of the most pressing thoughts in my mind right now, and I'm able to not only share them, but share them across all geography. I have talked to friends on three continents via instant messenger. Untold numbers of conversations have been enhanced by the ability to quickly reference the factual truth. My exposure to a diversity of art has increased exponentially via the internet.

Technology is not bad inherently. People are weak and afraid of change. The perceived conception of 'normal' comes under attack and we fret and fall over ourselves trying to explain how the grass used to be greener. But also what I learned, again, from this is that undergraduate academia is not a place that fosters and cultivates critical thought. The prof moved on as soon as I started to undermine the conventions. I guess real discourse is still reserved for my basement and the bar and the INTERNET. Everyone simply wants to be told what to think, and academia more or less complies.

And yes, I've made some enemies in class. Hopefully I've made those same people think for two seconds.
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Wednesday, November 07, 2007

"The City. The City. The City"




When I was a young man . . just getting my first tastes of recreational drugs and staying out late and trying to define myself . . .I wanted to be a hobo. I wanted a hermetic lifestyle in which I could simply live off the land, far-removed from the protuberances and attachments of the semi-urban lifestyle. Write haikus and drink dandelion wine. That sort of thing. There was something about the aesthetic and ascetic of being alone that appealed to me strongly. Under the microscope, this penchant seems to have come from that fact that I was existentially dissatisfied with my surroundings. The triteness of suburbia, the various Freudian and familial love/hates, the herd mentality of high schools, the beauty of art that was so obviously not engendered in the place I lived. I saw no alternatives but giving up on humanity and making communion with some sort of nymph of the woods.

And then I moved to the hood. Fell in love with an entire tribe of the disaffected. Just like me in that they didn't know anyone that was like them. Saw that humanity was not boring, but tragic! Saw that life was not stifling, but demanding. Saw that interactions were not debilitating but exfoliating. And so now I'm in love with You. I'm in love with Your cities. Warts and all.

So the problem. I moved to Boise, Idaho. This is not a city. This is not the gross desperation of humanity exploding out into panicked art, this is not droves of mankind clawing all over each other for love, this is not even a place with a definitive feel (Detroit August feels a certain way even in your room by yourself, the air in NYC is laden with New York vibrations, etc etc). Boise feels like an advertisement for Levitra. Its nice and clean and growing, the children of feckless and atavistic people that have convinced themselves of something. Religious and conservative because they haven't bothered to think about it much. Not that there aren't good people here. I've met some vibrant individuals, but they don't seem to belong here either.

In short, I need a place with soul, with grit, with honesty, a place somehow connected, a place with its own traditions and personality. I need to get the fuck out of here before I become from here.
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Tuesday, November 06, 2007

Take Me Home

And so on slipstream nights I promised not to promise you anything. Laid in dim fluorescence, begging the landscape I never see anymore to simulate you for nine seconds so I can simply lean back and absorb. Sharpied epitaphs on impermanence and cast glances at each other as through the crack in a door. Let me talk in circles that disorient, and always asked for more. Spread out under astronomy and taunted time to pass incandescent. Caravaned across the desert to sit in parking lots and see each other far from home. Driving through the crude-oil night, explaining why I'm perpetually alone. And for a moment feeling like I wasn't.

I dream now that I'm sleeping in your infinite hair, late for everything, my anxiety obsolescent.
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Sunday, November 04, 2007

Short Story



I wrote this in one sitting


Dad comes in, almost ready for work with his untied tie wrapped around his neck and his briefcase firmly in hand, and the children do not break their anxious giggling. They're all in the same room but Mom is by the kitchen counter fiddling with some dishes and taking food out of its container. Dad's got red-rimmed morning eyes behind tiny glasses and in the trapezoid of orange morning light he is too pale.
He drops the briefcase on the table and drags the chair on its back legs with a low screech. As he sits he looks at the children clinically, for just a second. These completely incomprehensible beings that he has created and is slowly losing any sort of control over. When they were babies their list of demands was simple, if random. They could be appeased with things that did not require almost infinite analysis and reference to the current iteration of good parenting. They're now like six and four years old, thereabouts, and have achieved a sort of synergistic capacity for mayhem. The assumption with little kids, and you can see how this has failed in the way Dad reaches down to the kitchen floor to retrieve some toy that looks like a piece of abstract art, is that they are not cognizant of the world around them like an adult. Like if you aren't making eye contact with them then they aren't listening to you. But these kids are laughing, almost shrilly matching the timber of the pre-coffee alarm clock, and Dad knows they operate on their own insatiable kid logic. That they observe things that no one else sees, maybe just because they're shorter, and they can always be counted on to innocuously ask you the most penetrating and unwieldy questions. The six year old boy just the other day asking him what a gay person was, as though there wasn't an encyclopedia behind any conceivable answer. One of them blurts out a distinctly contrived word that sends both of them into hysterics.
Mom comes over now with an armful of food, every member of her little tribe requiring some dietary exception. And the kitchen is so immaculately clean and modern that the mental energy required to maintain it as an idea pulses in her long, smooth neck. You can literally see her heartbeat, whump whump whump, in the brief second that she stands still before sitting down to join them. She's ready for work, completely so you know that she's been up for longer than Dad probably, and impeccably dressed in khaki slacks and a blazer. Perfect collarbones jutting at the opening at the top of her blouse. Dad looks here, briefly, and then receives his bagel from her.
They're both of them relatively young, but there are wrinkles at the corners of their eyes and their cheekbones as they try to smile at each other. All of this has taken less than 10 seconds. The eyes. Both of them with eyes brown and soft and tired and with an anxious patina over them. You suspect that if the right piece of news fell through the skylight and onto the table that one of them would burst into tears.
The nine-year-old girl ceases her laughter immediately. The cereal or muffin or oatmeal that mom has put in front of her will simply not do. And this, of course, is just another part of the conspiracy against her childhood composed of school and homework and church and being nice to Aunt So-and-So. Of course crying is not the optimal strategy here, so she begins to yell, almost like that poor little girl in The Exorcist but of course the content is all different. But with that same growl in the bottom of her voice, a bit histrionic but primal and too Pavlovian to be considered inauthentic.
“I hate raisins!” she yells at Mom. Like this hate is part-and-parcel of her longstanding and traumatic experience with dried grapes.
And Mom's hair practically stands on end. She's got one of those short, encapsulating haircuts that work on some women and you can almost see the very end of each tendril stiffen. She breathes in through partially clamped teeth like this little kid loved raisins not three months ago, and her eyes dart around for some way to handle this delicate situation. Give the kid anything they want and they'll morph into whiney little brats (if they aren't already that at times), but how can they be encouraged if they're never able to determine their tastes? Mom finally shakes her head and takes the plate of Oat Bran with raisins or the raisin muffin or whatever back into the kitchen area for something else. Everything the parents do is rushed, this is a morning before work and over the years they've developed a very efficient schedule so that everything will occur on time.
Dad has no real reaction to the little girl's outrage. He just hopes she doesn't say anything about hating them. They throw that word around to get things, but for grown-ups, you know, hate is a big deal. The word hate can make you feel like you've failed for the rest of your life. It's important to remember how young they are. Dad's work is not dissimilar from Mom's but he's been convinced to think of himself as the provider of the family. In the briefcase he holds portfolios and business cards and Getting Things Done prompts that buoy these disorienting little people up above the morass. Dad's ability to keep his eyes-from crossing amidst the tedium is what will buy these kids used cars in ten years and send them away to college to drink their brains out.


But Dad's got no reaction because the children make almost no sense. Everyday he goes to work, and its not unlike what Mom does but he's a man so he feels like everyday he wades out into the morass is like a battle, and has to idly receive the absurd demands of his higher-ups and has learned over time that they are not interested in his innovative new approaches because they themselves have developed what they think is an airtight system. After a point the whole work thing doesn't require as many neurons as it does wholesome, plain-old “nerves”. A bit of gumption and desperation just to get through the day.
When Mom gets back with something else for the girl to eat, the children fidgeting in concert but sort of above the level of intervention, her and Dad make eye contact. Again the eyes. His red, beady eyes matching hers for a second. And she realizes that he looks just as tired as she is.
And Dad these last few months has been waking up every hour throughout the night in cold sweats. Some kind of psychosomatic fever dream that sets in when the dread of getting up in the morning has finally become a part of your lymph system. And inside his head he is screaming something that doesn't make sense by itself as a word yelled out but in his quickly forgotten dream is the endnote to some kind of collapse. Always in the dream this vague image of supporting some impossible mass above him, with rusty protuberances and loose-leaf documents being blown off and seagulls perched on top picking at rotten things. Sweating with the strain until it crushes him.
But now it seems they will have a relatively serene breakfast. The girl is satisfied with the bowl of cereal her mother has brought her and the boy is distractedly drooling as he watches something on the wall with great intent. Dad and Mom and Sister all bring one spoonful or fingerful of food to their mouth and chew it procedurally.
Suddenly, little Brother asks: “Why do you have to go to work every day?”
And normally he's so infectiously cute you want to watch him roam around in a sunny park all day. But in the morning, all misguidedly energized and crumbs caked to his face, all Mom can do is lean her forehead to her palm in a careful way that will do not disrupt her hair. She's got a top-notch manicure with longish, burgundy fingernails that make it difficult to type. And the kid gets no answer and moves on instantly to scooping out drippy cereal with his bare hand. Mom closes her eyes for a second like she'd been up all night cringing as Dad cold-sweated all over her and in the damp sheets she tried to figure out exactly how much she could tolerate and had to keep raising her limit. And all day she can feel this slime on her, no matter how hard she loofas or how powerfully exfoliating her apricot scrub is. Sitting at her desk at work thinking about Dad waking up with a moan that sounds so little, so infantile it makes her nervous the way the tiny body of her newborns did when they let them sleep in their bed.
Dad's reminiscing about something so distant that it might not have happened, that's how he stares at his breakfast and tries to ignore the briefcase. Like when they had gotten married he had felt so accomplished with the little pot of savings that he had scraped together and the cozy starter-home in the neighborhood with a great housing-cost/quality-of-school-district ratio. And he had even carried her over the threshold that smelled like fresh paint. And because they didn't have a bed yet they made love right there on the new carpet, little clumps of carpet fiber still scattered from when it had been put in. And in their rolling around they almost crushed some little wedding or housewarming gift and she just pushed it out of the way animalistically as he tried to unstrap elements of her dress. He thinks that now she seems disgusted by him, and conflicted by her disgust.
And the doorbell rings and Mom shoots up to her feet exclaiming “school!”. This doorbell being rung by whatever unfortunate mother in the neighborhood was currently in charge of the carpool. And the kids don't hesitate to try and run to the door before Mom can hand them their sacked lunches. Hoping that the boy doesn't think to shove celery stalks up his nose or fling the grapes (this one does like grapes, she thinks) at his classmates. Their days at school only long enough to rile them up and return them home. How some other adult, even a highly trained teacher, can hope to manage thirty-some screaming kids let alone navigate them through a series of exercises and projects, is mind-numbing to think about.
Brother dodges a ritualistic kiss on the forehead and stamps his feet after Sister who is pirouetting and swinging her lunch as they exit. A sign of human sophistication is that when a person leaves the room we realize that they continue to exist. Mom and Dad try to subvert this tendency. They look at each other with an uncertainty, a pause like “are they really gone?” and Mom pulls out a small medicine bottle, one of those translucent orange ones you used to get, and the purple logo flys off of it (you'll need some computer guys to get on this) and takes up the lower half of the screen. “Psoma” in purple, the font textured with the purple fading to lavender on the right edge. Soft and friendly. And the yellow slogan fades in as the sound fades out and Mom and Dad are sharing a glass of orange juice to swallow one down. “To Keep You From Freaking Out” or however it is your selling this damn thing.
I'm telling you. Run this between Hungover Housewives and Who Wants to Torture a Millionaire? and you won't be able to keep this stuff on the shelves.
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