"Beyond a certain point, there can be no return. This point must be reached."

(video: Cornell West on Real Time, quote: Franz Kafka)

Reading Anarchist political thought and finding nothing there that truly transcends anything. Thus far it leans towards socialism. "From each according to their abilities, to each according to their needs" like a spit in the face to the whole manner in which we've survived through this epic. Granted that was written at a time when less was known about the human mind; but we see in all tendrils of evolutionary psychology and game theory and economics and yes even history that this strategy fails. It creates an artificial environment that breeds an undue quantity of cheaters. It is bound to cast itself into vicious tumult that only a fascist can briefly put right. It channels only the most idealistic, and thus the eventually weakest, tendency of human nature. Yes we could feel empathy for some small tribe that churns out a product. But could those we trade with ever be trusted? Casting your lot with those you know, even if admittedly outside your genetic bonfire, is possible and happens frequently. But sweating out everything for far-off strangers on a planet teeming with those you don't know, people you may have no issue with but yet are subject to different cultural pressures than you . . .how can it honestly be thought that people en masse will toil for the livelihood of people they cannot influence? I have more to say on this, but more reading to do first.


Giddy like xmas eve of '93 for grad school. And it's one year, and one year does not feel like the long yawn it once did. I met with a former professor of mine for sage advice; I will not leave any advantage to rivals or the wind. He's convinced me that I will be successful, that I will end up some place. That he reads applications himself and would vote my work into his institution. Nothing firm there to pin the label "success" on, but I've never worked this hard for something that belonged purely to me. And to know the trench I dig is deep and straight, it makes the shovel move faster.



I like the rabble. I like noise and dirt and spiders and waking up so groggy that one's entire life seems punctuated by a fever-dream that you cannot remember. I like to argue and fight and point my finger at god and government for the weirdness they have wreaked, and I like to scream out that they hold no rule over my life. I'll compromise my free will to science, but no god and no master will take it from me. I like to stagger into work on no sleep with the stink of misdeeds still leeching from my pores. I like to rip a hole in the middle of my yuppie day and bleed from it and ache from it for no other reason but that my body will endure. I like to craft rites of passage via bricolage and name my impulses like dogs in heat. I like working long into the night, save one in five when I run the streets and burn through brain cells and am liable to convert your son or daughter to my cult. It's all completely untenable, and that's the point: so is being alive.

»»  read more

"Who are the children and who the adults?"

( video: Ira Glass on story-telling, quote: Henry Miller "Lime Twigs and Treachery. btw: well over 200 posts now!)

Your children are the problem. It pains me to say that, and it hurts down to my very genes and spine to persecute perhaps the only purpose true in our swirl. Energy, war, terrorism, angst, exploitation . . . these fruits all see their source in too many fucking people. And perhaps we may just escape this terra damnata, but even in that we'll choose who goes and who stays. We'll excise some gleaming class of beings with no more right to liberty than the sons of oil profiteers and hotel heiresses. And who does not meet those thresholds in this long pause will squabble and legislate and recycle their soup tins and petition the gov't to kick down scraps . . .but no one will ever say: "dose the water supply with birth control", or "implant an IVD with every vaccination".

The burned landscape stands charred lodgepole pine as a warning and a relief. From this things can be recovered. And to create, the old must sometimes be destroyed. And the burn is a year or two old, the upstart forest clambering over itself for the new sunlight with deformed little trees and the splayed hands of ferns. I'm city-born and city-bred, but the shadows and rock and water so fierce you can almost hear it screaming your name . . .in it the most profound thought can be examined: no thought at all.

I had an irreal workshop with a new friend last week. He's read a solid fraction of the things I've written over the last year and thinks that this is the best. Following close-critique of the story we meandered into something a bit more philosophical. And I had to wonder how much calculation and generation I have going on subconsciously, he saw things that are clearly there and are tendrils or tributaries of what I want to say; but I have never clearly thought all those thoughts.

»»  read more

"As well ask men what they think of stone."

In Oregon there's a mushroom thousands of acres big. In reality it's neither one huge organism or millions of separate ones, but a network of function and communication. It knows if you are present, it reroutes the passage of nutrients and information when a node is broken. When conditions are right, a mushroom breaks through the surface like an inconsolable weed and sucks life from its environment. No real point here, other than I really want to stand on it and watch the puke yellow growth thinking and working and practically bubbling with activity out to the horizon.

"Sometimes you just need a two-day bender to clear your head." And of all the laws I've broken, trespassing somehow feels the best. To rework the environment to suit your needs. Not to destroy, but to undercut the very notion that we can own things and cordon them off and hold back. And so at 3am, diving from the high-board and splashing whiskey-laden into the deep-end like a gangly ape I feel both the ecstatic solitude of the village idiot and the swelling outrage of myself ten years ago clawing around for what it needs. I no longer feel that I have to justify my behavior in some teetering matrix of what would be acceptable "if every other person did it", that I only need to explain it to myself and retain consistency. Fix holes in my notions as I find them, and make up for missteps and going too far in the only way I really can.

The thing about love. Every time you've been mired in it and imagine some timeless definition of it . . .it becomes a different animal. And so you, scarred and adorned and maybe even a bit fortified and cautious, see utterly different dollar signs and cartoon hearts over things than your Sim did a decade previous when all the romance you knew was television and the only regrets were in songs.

Somewhere there's a lonely whale navigating the depths looking for his friends and family. To never find them. Cheer up, you're not dead yet.

»»  read more

"wolves cull themselves"

(video: T4 teaser trailer)

I don't watch much TV. I watch snippets of news and documentaries on the internet and read Al-Jazeera and The Economist, so when my father comes to visit, the gradually senilizing and irrational one, I almost can't believe the things that come out of his mouth. Barack Obama is a closet-Muslim, he's unamerikuhn, he's planning to dismantle the white power structure in toto with a cadre of black preachers and whatever it is they can wield over us. Black English, Black Math, Black Magic. I walk to another room when I heard that the South had the right idea with slavery. I bite my tongue over things I would fistfight another person over. And I'll argue down to the decimal points and dustmites.


I have a small writer's workshop now. We'll meet once a month, like distilling the classroom down to people who give a shit ad transporting the whole thing to the bar so I can pound whiskey while I hear how poorly my month's work has made itself clear. (btw . . I've got something new here). I'm not encircled with friends here. I can go a week without receiving a phone call or text message from a local, I can disappear for an entire weekend without a question. And yet, I've found that somehow my life does treacle out, and when I run into certain kids in certain places, I hear: "what up holmes? I heard you suchandsuched last weekend." And I nod and laugh and think about internet cables strung up under an entire population, littered living rooms listening to pitchfork picks meandering about people one knows, someone here and there tenting their fingers and yawning and voicing some opinion that'll swirl in the hang-over dust and sun and lay used up on the floor.

There's a direct corollary between the sociopolitics of the small town and the behavior of the people there. Some evolutionary knob in our heads tells us that the smaller the community, the more likely we'll have to interact with a static set of malingerers and dotty old women and stalwart homebodies. We play nice with them, and reasonably so. We have a life of reputation to uphold. My transcontinental lifestyle disturbs the setting, living in a capacious ghetto I never had to be straight with anyone but my tribe. Living in Boise I see people everywhere I go. One big, breathing surveillance camera watching itself. Burroughs: "A functioning police state needs no police."

»»  read more

"there is no remembrance of former things"

(video: The Books-The Lemon of Pink)

Reading The Moral Animal and elucidating all sorts of intuitions about the way we behave. The underpinnings to a male's sexual urges, the different framework guiding a females. The reasons for the approach we choose in all the primal arts of sex and violence and creation. And even in my amateurish understanding of psychology, getting the sense that every theory yet devised about what goes on inside our mind will be explainable by reflecting on the millions of years in which it was forged. I hope its just not idealism on my part that some things will make sense.

This past weekend regrettably ditched a friend and hooliganized every patch of pavement from downtown to the west side to the park with the huge hill in it in the north end. Boise looking meaningful shimmering down there in the desert, lights blinking on and off, irradiating the developed land, giving the kids something to live their lives by. And always cold beer and copious smoke rolling colloidal out of lungs into the atmosphere. And laughing at something unspoken. And I've enjoyed chaos and rebellion and that hypercelebration that leads to what parents might call mistakes. But something went a bit too far. Maybe I'm too old for this, or maybe I'm just not willing to catch hell and sleep a night in jail unless it's something I believe in.

As someone who writes I've at least more than once been asked: "but how do you come up with stuff?". And it's not autobiography, and they are not stories about people I know, and they are not, I don't think, a metaphor for how I feel occupying the lonely planet. I have no idea what anyone's capacity is to wrench a story from the ground or that I am even somewhere in the rightmost sector of it's bell curve. I do know, however, that you have to listen. You have to pay attention. You have to see patterns in everything. You have to dream, hard. You have to make life a rush of experiences and yet space out time to distill it. And then you have to sit down and forget everything.

»»  read more

division, diligence, depiction

(video: Hip-hop: Beyond Beats and Rhymes)

A turbid mixture of plodding along and patiently counting days. Writing the date at the top of the ledger more solemnly on some pages, more frenzied on others. The transilient nature of time spent here like living as nine different people who all hate and love different things. Not multiple personalities, no sharp divides between them, but a haze of cognitive dissonance blurring the edges between each proclivity. To live in some idealized state of Renaissance-personhood, we've got to be able to deactivate whole sectors of our brains, illuminate others that have hibernated and cranked out preconscious reckoning while we've done that other thing. We've got to snuff out the celebration in us to wake up with the alarm clock, and we've got slip into the absurd as we head back home, and we've got to try and enjoy art without destroying it with examination and yet we've got to look at it's pieces if we want anything from it. We've got to revel, rebel, dissimilate . . .in the space between sleep and compensation and capitulation. The only strategy I have is to live in dreams (not ambitions or hopes, but the narrative mess of your sleeping mind), hold onto the strata while you amble through a day. And to figure out just how much banality you can tolerate, and allow for no more. And to occasionally lose yourself in modernizations of old rituals.

The most interesting class, if not ultimately the most beneficial to my academic goals, that I have ever had is going on now. Linguistics this consilient merger of psychology and science and anthropology and human ecology and creation and sociology. I apparently have some latent skill for it, though I don't know whether it is objective or a product of my enthusiasm. The approach is one I talked to myself about in High School listening to english teachers prattle on prescriptively and obsolescent. This language is whatever we say it is. This language is whatever works. A rule that does not help me express myself more clearly or more efficiently or more deeply, is a fetter to be broken.

This won't be news to anyone. But in writing third-person, there is a further categorization of style. There are terms for these, but I don't care what they are: "Transient" delves to some degree into minds of multiple characters and depicts events from somewhere within their perspective, blurring the identification of a singular protagonist and allowing for intrigue, complication, multi-threading. The depiction may be omniscient, but not necessarily. Think Dune. "Focalized" sits the camera within the observational powers of one character as they experience the story. It allows for a high-degree of internalization and runs the mental life of a character in parallel with their actual life. "Objective" is like a play acted. Things simply happen, a protagonist may be identified by how much time they get on the page, or how the reader's response to the character has been manipulated. This approach does not carry with it internalizations. Anyway . . I said all that to say this: I'm trying to write something "Objective". It simultaneously strips literature of one of its great attributes (the ability to illuminate individual perspective) and forces a different interaction with the reader. I can't say anything to devalue any of the three approaches, but there is something timeless (and not neccessarily speaking of a piece's ability to be read across generations, but to exist in a past/futureless void) about this depiction. As though everything is happening in that microsecond before response and reaction, before the concrete becomes the abstract. And yet, the entire thing is entirely made up of its construction; by that I mean, it asymptotically approaches "being what it is". I don't know how to explain that any better.

»»  read more

"gotta work everyday"

(video: Oprah's interview of Cormac McCarthy pt. 1)

This will be my last full summer in Boise. A fact slowly dawning when I drag myself up creaking from the floor earlier than my body wants to rise. And retrospects to be saved for the proper time, but interaction with fam from past lives has me edgy and forlorn for back east. The work is being put in, the name will get submitted to the proper places, something will certainly happen. And its not as though there is nothing for me here, ingratiated more every drunken night I leave the laboratory, but it will certainly be time to move on as it was time to then.

I went through my room today and threw things out. Ill-fitting clothes, widgets for this purpose and that, a bag of sentimentality that will always burn in my brain. I moved my bed out into the other room and cleared pacing room on the floor. Where that sliver of sunlight comes in now at around 7am, two feet below that space I don't seem to have the heart to occupy anymore. I think we kill brain cells to forget, everything I touch and see in this room saturated with memories some painful enough they serve as their own scar. French words in permanent marker on my desk to remind me of how badly I misstepped. Four vinyl journals for the past 6 years housing all manner of diegetic nonsense, words I don't remember thinking and that I couldn't write again. A knee-high stack of criticism and lonely hours spent. Several hundred books that raised me and put hair on my chest. All these things I keep of course, the rest means nothing. Some synthesis of Bertrand Russell and GG Allin.


Ben Franklin had this thing. He chose to socialize with those he thought would help the revolution. And maybe that explains my being reclusive. I have the greatest peace when I'm with those that are somehow subtly making me a better writer. Challenging notions, invoking jealousy with their own work, showing me some further way to be happy with rien. On Friday I drank too much with someone I hope will trade favors with me in this regard. I gave him some guidance in the gym, and I'm hoping when I'm his student this fall he'll accept nothing but my best. And then tell me why its still shit. Poetry, not fiction, but I've got a grand arrogant thing I want to write that fits right in that niche.

»»  read more

" . . .got a little crust in my third eye."

(video: William Gibson on writing)

Realizing there aren't 5 people that I don't miss waiting out here in the desert. Like I could carve homunuclus out of hunks of plastic blanched in the sun. And this one has your tattoos, and this one has your scoliosis, this your orange hair, this your sewer's hands, this your piercings, this your meteorite eyes marbled by the heat of their descent. And yes I left. And I'll leave a million times and know a million saints that will bless my path in exchange for whatever discomfort I can provide.

Went to Ohio and communed with one of those above. Drank in a hole where the benches crumble under the intoxication and they'll serve anything as long as it might kill you. And wandered in humidity, me with untold sideways glances. And then a party in a far-flung field that caught me by surprise. Fresh air and fast friends and stories I have nothing with which to contend in the subtle light of citronella candles. And I could have gone on listening and occasionally saying something long into the next day ...which happened and passed quickly no matter how hard I tried.


Hide a secret in the center of a brick hewn from the earth by no hands. I've contributed to the wealth of no man. While my father sleeps I steal anything I can. Kisses from the least of beings, glances that peel everything, and the ammunition that sings my escape plan. There is no evidence, 've interred my whole life in that plaintive land.

»»  read more